The Long Road to Pasolini is a photographic zine by Ruediger Glatz that traces a quiet, personal journey toward the figure of Pier Paolo Pasolini—not as portrait, but as presence. Moving between observation, travel, and inner reflection, the work unfolds as a visual essay shaped by distance, memory, and longing. Rather than illustrating Pasolini directly, the images circle around his ideas, locations, and contradictions, allowing absence, atmosphere, and fragments of reality to speak. The zine reads like a road movie in stills: restrained, intimate, and unresolved. The Long Road to Pasolini is less about arriving than about staying with the questions Pasolini left behind—political, poetic, and deeply human
